Bassanio’s love for Portia brought certain maturity that allowed him to realise, “Look on beauty,/And you shall see ‘tis purchased by the weight/…/thou meagre lead,/Which rather threaten’st than dost promise aught,/Thy paleness moved me more than eloquence…” (III. Trial, both literal and figurative, are amazing theatrical devices; this creates drama and gives, both the audience and the reader, the ability to empathise with, understand or even grow to despise a character. You can use this password for unlimited period and you can share it with your friends! Once you place your order you will receive an email with the password.
She is clearly glad to be rid of them all when it is announced that they are departing.
We recall too the humorous way that she imagines dressing like a man and aping the mannerisms of all of the men she has observed in her short life.
She tells him that he is "as fair / As any comer I have look'd on yet / For my affection." She shows Morocco the honor his rank deserves.
But once he is gone, she reveals that she did not like him.
Finally, of course, what we most remember about Portia, after the play is over, is her wit and her playfulness.
Even when Portia is complaining to Nerissa about the terms of her father's will, she does so wittily: "Is it not hard, Nerissa, that I cannot choose one nor refuse none?They will be married, but their love will not be consummated until his friend is saved, if possible.Portia's second characteristic that is most readily apparent is her graciousness — that is, her tact and sympathy." To her, both of these men are shallow and greedy and self-centered; yet to their faces, she is as ladylike as possible.Lorenzo appreciates this gentle generosity of spirit; when Portia has allowed her new husband to leave to try and help his best friend out of his difficulty, he says to her: "You have a noble and a true conceit / Of god-like amity." In the courtroom, Portia (in disguise) speaks to Shylock about mercy, but this is not merely an attempt to stall; she truly means what she says. Her request for mercy comes from her habitual goodness."A gentle riddance," she says; "Draw the curtains." When the Prince of Arragon arrives, Portia carefully addresses him with all the deference due his position.She calls him "noble." But after he has failed and has left, she cries out, "O, these deliberate fools!Despite her real feelings about the Prince of Morocco, Portia answers him politely and reassuringly.Since the irony of her words is not apparent to him, his feelings are spared.She has fallen in love with him, and her anxiety and confusion undo her."Pause a day or two," she begs, for "in choosing wrong, / I lose your company." She thus makes sure that he knows that it is not hate that she feels for him.