Harry Belafonte Research Paper

Harry Belafonte Research Paper-50
“I feel that what was done in the years of the Civil Rights movement, the sacrifices made by those students . When Harry Belafonte appeared in mob-controlled Las Vegas in the 1950s at the Thunderbird Hotel, he decided to challenge the racist system that prevented African American performers from staying at hotels on the Strip.“I walked into the lobby, going to the desk to register,” said Belafonte, 87. I said, ‘Well, I don’t think this is going to work.’”The manager turned Belafonte over to “the big boss.”“I said, ‘I’d just like to leave town quietly, and you go ahead do what you want to do with your rules,’” Belafonte said. Things changed.”This Saturday, the activist-actor-singer-songwriter will receive the Academy of Motion Picture Arts and Sciences’ Jean Hersholt Humanitarian Award at the Governors Awards ceremony in Hollywood.

“I feel that what was done in the years of the Civil Rights movement, the sacrifices made by those students . When Harry Belafonte appeared in mob-controlled Las Vegas in the 1950s at the Thunderbird Hotel, he decided to challenge the racist system that prevented African American performers from staying at hotels on the Strip.“I walked into the lobby, going to the desk to register,” said Belafonte, 87. I said, ‘Well, I don’t think this is going to work.’”The manager turned Belafonte over to “the big boss.”“I said, ‘I’d just like to leave town quietly, and you go ahead do what you want to do with your rules,’” Belafonte said. Things changed.”This Saturday, the activist-actor-singer-songwriter will receive the Academy of Motion Picture Arts and Sciences’ Jean Hersholt Humanitarian Award at the Governors Awards ceremony in Hollywood. I went into his office, and he said ‘The rules are you can’t stay here.’ I was absolutely taken aback.

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Belafonte’s activism, however, wasn’t always beneficial to his career.“People say, ‘You have sacrificed a lot,’” he said. Let me just paint a scenario for you.”If he hadn’t been an activist, Belafonte noted, “I never would have become so intimately involved with Nelson Mandela.

I would never have been so intimately involved with a man who selected me not only to be a confidant but a close friend — Dr. I never would have been embraced to the extent I was by Eleanor Roosevelt.

, which was screened last night at Time Warner headquarters in Manhattan, focuses briefly on Belafonte’s early, massive success as an actor and jazz singer.

But most of the film explores Belafonte’s inexhaustible work as a civil rights leader.

Born in East 70th Street in New York in 1927 to a Jamaican mother and Martiniquan father, Harry Belafonte was raised in a predominantly white neighborhood.

He endured poverty and racial discrimination, even from members of his own family including his father, who preferred whiter colored skin.She stepped into my life in a huge way because of our mutual sense of injustice in the world.”Belafonte’s pursuit of social change began as a youngster in Harlem watching his Caribbean family wrestling with issues of race and poverty.“There was a theme in our circle of never accepting oppression without resistance,” he said, singling out his mother, whom he described as “very feisty and very much against injustice.” After volunteering as a teenager for the U. Army during World War II, Belafonte and other black veterans expected to return to a “very generous America” because they had shown “great loyalty to this country, to the values of this country.” Instead, he said, "we came back to a very rigid set of racial lines that were being drawn.The laws of segregation were being intensified.”Belafonte’s life changed when he went to see “Home Is the Hunter,” a drama about the problems of black veterans, at the American Negro Theater in Harlem. “I found something that so delighted me and attracted my attention. That ultimately led me to study theater.”While he was at the theater, he met the man who would be one of his greatest friends and influences: the blacklisted African American actor, activist and singer Paul Robeson.“We were quite overwhelmed by his presence,” Belafonte said.When the eager Mitchell attempted to prolong an analysis of Belafonte’s film career, Belafonte, who is 84, answered graciously but proved far more animated in turning the subject to his political work, speaking eloquently and in greatly informed complexity about racism, poverty and inequality across the globe.“If you look at the history of my life, it’s all movement,” he said pensively. To revisit these places [during filming] where acts of dehumanization were in full bloom was extremely difficult.” , which opened this year’s Sundance Film Festival, provides moving archival footage of these harrowing events, and also that of his current activism in Haiti, inner-city Los Angeles, Iraq and more.To mark the 50th anniversary of Martin Luther King Jr.'s assassination, special correspondent Charlayne Hunter-Gault sits down with one of his closest friends, artist and activist Harry Belafonte, who remembers how they met and what made King so special, as well as why he says America is more racially divided than any other moment in his life.By choosing “I agree” below, you agree that NPR’s sites use cookies, similar tracking and storage technologies, and information about the device you use to access our sites to enhance your viewing, listening and user experience, personalize content, personalize messages from NPR’s sponsors, provide social media features, and analyze NPR’s traffic.in 1956 and became a major force in the civil rights movement.“I am not an artist who became an activist,” Belafonte said.“I am an activist who became an artist.”The artist came to fame six decades ago, making his film debut in 1953’s “Bright Road” and later starring in 1954’s “Carmen Jones” and 1959’s “Odds Against Tomorrow.” He brought Caribbean music into the mainstream in 1956 with “The Banana Boat Song.” And he became the first African American to win an Emmy, for his 1959 CBS musical special.“He said, ‘I have a list of things that you are charged with that has caused them to believe you are very unpatriotic.’ I asked him tell me what the list described me as being.”Sullivan read the list.“As a matter of fact, your list is way short of many of the things I have done and will continue to do,” Belafonte told Sullivan. Then Belafonte challenged Sullivan, asking the Irish American host to compare how the Irish rebellion against the British was considered “an act of nobility,” whereas the reaction to black Americans and “our resistance to the tyranny we’ve experienced” was quite different.

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