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And Naomi Klein, like most campus leftists of the 1980s, directed her ideological energies toward the denouncing of various -isms within academia.
See full summary » Rosie and Vincent know each other for ten years, and are married for five. See full summary » Eunice is walking along the highways of northern England from one filling station to another.
She doesn't like her job, he isn't too pleased working with her dad. She is searching for Judith, the woman, she says to be in love with. See full summary » Drawing surprising connections between market methods and CIA torture techniques developed in the 1950s, the film explores how well-known events of the recent past have been theaters for the shock doctrine, from Pinochet's coup in Chile, to the Tiananmen Square Massacre, to the war in Iraq today.
A trumped-up villain provides distraction or rationalization: Marxism, the Falklands, nuclear weapons, terrorists; and, always, there is a great shift of money and power from the many to the few.
News footage, a narrator, and talking heads back up Klein's analysis.
C.”)By the 1990s, Klein had come to realize, like some other campus activists, that off-campus there could be found worse depredations than the canonization of Shakespeare and other dead white males.
And the new enemy turned out to be an old one—the original one, in fact: the corporations, and more generally capitalism.
The publication of No Logo serendipitously coincided with the sudden rise of street protests, and the book became a surprise international best-seller.
The dearth of leaders in the diffuse anti-globalization cause meant that Naomi Klein became the Tom Hayden of the movement.
She had a classic Marxist-materialist analysis, arguing that economic conditions, rather than bigotry or ideology, are what shape the world.
Her interest in culture and in actually existing life under capitalism was somewhat derivative of the Frankfurt School, though not as intellectually sophisticated.