Stories Ideas Creative Writing

Stories Ideas Creative Writing-12
Why: Sometimes a story scene can be effective written from a secondary character’s point of view.

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This exercise will help you create multi-character scenes that are complex and rich with dramatic potential.11.

Imagine your character has gone hiking in a forest on a mountainside. Describe what they hear as they pass through different parts – a densely wooded area, a stream, and a high ravine.

Why: We use different ways of talking depending on whom we address.

Creating sudden shifts in how a character talks in scenarios such as this helps us remember to vary a character’s expression according to their circumstances.9.

Character one hates public displays and is trying to be hushed, character two doesn’t care at all what the other patrons think. Why: Conflict in dialogue makes it lively and the raised stakes draw readers in.

The point of this creative writing prompt is to remind you to include individual characters’ differing psychologies and likes and dislikes so that each character’s voice is distinct.7.Creative writing prompts provide a useful way to jog inspiration and get into an inventive frame of mind.Try these creative writing exercises focused on individual elements of storytelling: Point of view, tense, dialogue, character and more.A POV writing exercise courtesy of Writer’s Digest: A teenage couple is sitting at a restaurant, playfully making up a fake Cosmo love test for each other. Now, write the same scene, but this time the couple is in their thirties. Write the same scene again, but this time the couple has been married for fifteen years.How would their questions be different than the other two tests?A character arrives late to a party, not knowing that an old significant other is attending too. The host introduces them to each other, unaware of their history.In 500 words or less, write the scene and rewrite it twice, once from each character’s perspective: The late arriver, the ex and the host.You’re telling the reader what your character thinks your character, not an observer.When you rewrite in third person (if you prefer this POV), some of this immediacy will carry over.2.Take several lines of dialogue (either your own or another writer’s work) that use dialogue tags (‘he said’, ‘she said’).Rewrite the exchange without any dialogue tags, describing each character’s body language (e.g.

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